I've been experimenting. I have a number of photographs which I took at Slate Run Historic Farm Metro Park last year, which were really interesting, of kids playing with an old fashioned water pump. I've been wanting to try painting them, but was intimidated by having some many people in the photo.
Below, you may recognize two parts of this photo. I painted the water cans in November
here. And the little girl
here. (Although it was a slightly different view of her looking down at the water pail instead of at the boys.) In this photo, I have actually combined a couple different shots into one in Photoshop, because I liked how the blond boy on the bottom left was hanging on the pump handle. I had a third photo that I wanted to add, of the woman walking in from the left, instead of standing at the right. But after playing around with it, I like this composition best.
My next concern was that I tend to rush into a painting and don't think ahead about the color selections. I've been studying many paintings online to try to understand the use of color in composition - which colors catch the eye, which combination of colors appeal to me and just why the work together. I know academically why they work when I see a piece someone else has painted, but I tend to forget all that when I paint for myself. So this time, I thought I would go at it a different way and SLOW DOWN.
I got a brilliant idea (at least I thought it was - haha). I decided to take the above photo, change it to black and white and make it look like a line drawing. I am lazy, I hate to make study sketches by hand and since I work on a computer most of the day, I thought I'd try this. Within Photoshop, I told it to print multiple photos, 4 at 4x5 inches on one page. I tried to print it out on the laser printer on 140lb watercolor pape, but my printer didn't like the thickness of this, so I ended up printing it on standard card stock. (I bought some 90lb watercolor paper yesterday, and intend on trying that today. Don't try this on ink jet printers, it won't work since the ink is water soluble.)
See photo below (as always, you can click on the photo to enlarge it.).
Yesterday, I played around with colors and composition on the card stock. It actually worked out pretty well as long as I didn't use too much water. You can see an unpainted print in the upper right. As far as the composition in general, I was bothered by the house in the background middle, and wanted that area to be diffused and less noticable, although I liked the porch railings to the left. I like the composition of the bottom left the best with the side of the house removed. I will add some indistinct shapes in the back later.
I wanted to draw most of the attention to the two boys. I was trying different color combinations of red and yellow to draw your eye there first. I think I like best the bottom boy in a red sweatshirt and the standing boy with a yellow hat. There are still lots of things I'd like to try, and will continue to work on these studies until I get the nerve to start the larger piece.
Has anyone used a technique like this to get started with a painting? It reminds me of the old fashioned way of hand painting color into a black and white photograph.
I needed to make a 'to-go' set of pastels, so broke my pastels into smaller pieces (GASP!!!) so that more would fit. I guess most pastel artists regularly break new sticks into smaller sizes, but man, was it hard for me to do this, especially with my Unison handmade pastels! Here's the final set, and the box also shows the different size panel brackets for 8x10, 5x7, and 4x6 panels in the lid.
Today, I was using a 10x8 Sennelier La Carte Pastel card. This was another learning curve. I love using suede matboard, but decided to try this today. The color is actually a bit bluer than the photo shows below. To the right is the crop I chose to use of Karin's photo.
Left - first color. Right - midway into painting.
Final painting below.
